Ask Rhonda the Librarian.
David Holliway
Favorite Poem Project Poster Spring 2024 by rhondakwrites
The award-winning Revisioning American History series continues with this "groundbreaking new history of Black women in the United States" (Ibram X. Kendi)-the perfect companion to An Indigenous People's History of the United States and An African American and Latinx History of the United States. An empowering and intersectional history that centers the stories of African American women across 400+ years, showing how they are-and have always been-instrumental in shaping our country. In centering Black women's stories, two award-winning historians seek both to empower African American women and to show their allies that Black women's unique ability to make their own communities while combatting centuries of oppression is an essential component in our continued resistance to systemic racism and sexism. Daina Ramey Berry and Kali Nicole Gross offer an examination and celebration of Black womanhood, beginning with the first African women who arrived in what became the United States to African American women of today. A Black Women's History of the United States reaches far beyond a single narrative to showcase Black women's lives in all their fraught complexities. Berry and Gross prioritize many voices- enslaved women, freedwomen, religious leaders, artists, queer women, activists, and women who lived outside the law. The result is a starting point for exploring Black women's history and a testament to the beauty, richness, rhythm, tragedy, heartbreak, rage, and enduring love that abounds in the spirit of Black women in communities throughout the nation.
Independence and virtue in the lives of wage-earning women: the United States, 1870-1930 / Alice Kessler-Harris -- Between the devil and the deep blue sea: the marriage and labor markets in nineteenth-century England / Diana Gittins -- From poor law to jungle law: sexual relations and marital strategies (London, 1850-1870) / Francoise Ducrocq -- The 1920s: feminism, consumerism, and political backlash in the United States / Rayna Rapp and Ellen Ross -- Girkultur of Thoroughly rationalized female: a new woman in Weimar Germany? / Atina Grossmann -- The anti-Semite and the second sex: a cultural reading of Sartre and Beauvoir / Judith Friedlander -- Between rape and prostitution: survival strategies and chances of emancipation for Berlin women after World War II / Annemarie Troger -- Farewell to history / Marie-Jo Bonnet -- "Viragos" in male theory in nineteenth-century Germany / Gudrun Schwarz -- Feminism and literary criticism: reflections on the disciplinary approach / Marcelle Marini -- Female insubordination and the text / Catharine R. Stimpson -- And the last walls dissolved: on imagining a story of the survival of difference / Carole B. Tarantelli -- Women in the theatre of men: what price freedom? / Marie-Claire Pasquier -- Male space and women's bodies: the English Suffragette Movement / Martha Vicinus -- Family structure, occupational patterns, and support for women's suffrage / Elinor Lerner -- Catholic women and political affairs: the case of the Patriotic League of French Women / Anne-Marie Sohn -- Catholic constructions of feminity: three Dutch women's organization in search of a politics of the personal, 1912-1940
GENERAL ; HQ 1410 W354 2008
ISBN: 9780061246517
Publication Date: 2008-04-01
“We women claw for every inch we gain in this world...” ― Fonda Lee in “Jade War
Book Talk: Sara Bauer, Chemistry Instructor
Title: I Thought It Was Just Me (but it isn't): Making the Journey from "What Will People Think?" to "I Am Enough".
Author: Brené Brown
SB:
I should probably be embarrassed at how many Brené Brown books I own, but thanks largely to her work, I am not… or at least I am learning not to be. If you repeatedly asked me which of the five of her works on my bookshelf was my favorite, I would tell you a different one every time I am sure; I can never decide and I think my answer changes by the day of the week. But if you instead asked me which ONE you should read if you were only willing to read one, I think it would be this one. Though perhaps you should ask me tomorrow too just to be sure.
Dr. Brown is a research professor who has spent two decades studying courage, vulnerability, shame and empathy. If you are human, which I suspect you are, you relate to these concepts whether you want to our not. According to her research: we all experience shame, we all hate feeling vulnerable but actually think it’s very courageous to be so, and we all appreciate and long for empathy.
This book sheds light not only on these universal truths of human existence in a way that leaves you feeling your own surprised “me too” moments, but it outlines why you may feel the way you do, how normal that is, and what you can do about it. As someone who has been accused of lacking empathy on occasion (because I do sometimes struggle to empathize) but who is committed to growing in that critical area of human connection, I especially appreciated the researcher’s perspective on what empathy is, what can get in the way of it, and how to cultivate it. The following quote was one of the many that I highlighted during my reading for further reflection: “We can only respond compassionately to someone telling her story if we have embraced our own story—shame and all. Compassion is not a virtue – it is a commitment.”
Due to my own personal beliefs, I think that recognizing and responding well others’ shame and gently holding space for others’ stories is one of the most important things we can ever do, which means, I am realizing thanks to such authors, that I must do the work of learning to embrace my own, shame and all. I would wish everyone read this book.
FROM: Jennifer McCarthy, French & German Instructor
BOOK: The Water Dancer
AUTHOR: Ta-Nahisi Coates
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Literary criticism uses the word defamiliarization to describe the author’s ability to render the familiar unfamiliar, and the normal strange, by simultaneously interpreting, re-imagining and re-presenting the world to the reader. Ta-Nahisi Coates’ wondrous 2019 novel The Water Dancer presents the hopes, memories, dreams, and aspirations of Hiram Walker in gloriously lyrical language that has been freed of conventional meaning through defamiliarization and a touch of magical realism. The people enslaved are the “Tasked.” The white owners are the “Quality.” Hiram possesses the supernatural gift of “Conduction” just as his great-grandmother Santi Bess also possessed and which legend says she used to ferry a number of the Tasked to their freedom across the ocean and to the continent of Africa. Coates’ vocabulary seems at the same time as the 19th century and apart from it: it exists only within and throughout the novel itself. -- Jennifer McCarthy |
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