Showing of Results

Rhonda The Librarian's Random Reading & Research Review | February 2021 | Habit

02/08/2021
profile-icon Rhonda Kitchens

Rhonda The Librarian's Random Reading & Research Review

February 2021

 

Text and References Below Images.

This eBook is best viewed full screen.

 

Page 1 of Video Magazine Rhonda the Librarian

 

Page 2

Page 2 of Rhonda the Librarian Volume 2

 

Page 3

Pag3 3 of Rhonda the Librarian Volume 3

Page 4

Page 4 of Rhonda the Librarain

 

Atomic habits: Tiny changes, remarkable results: An easy and proven way to build good habits & break bad ones. By Clear, J. 

"Meanwhile, improving by 1 percent isn’t particularly notable—sometimes it isn’t even noticeable—but it can be far more meaningful, especially in the long run. The difference a tiny improvement can make over time is astounding. Here’s how the math works out: if you can get 1 percent better each day for one year, you’ll end up thirty-seven times better by the time you’re done." Clear

 

Modern food, moral food: Self-control, science and the rise of modern American eating in the early twentieth century. By Brody, A. S. 

As Veit suggests, nutritional literacy, refrigerators, changing shopping habits, all became markers of the middle class. She notes further, that “of all the changes in American food culture forged in the era of the Great War, perhaps the most extreme and lasting is in American’s attitudes towards their bodies” (186). In the political realm, foreign food aid would go on to become a hallmark of American foreign policy." Journal of Social History

 

Healthy habits suck : How to get off the couch and live a healthy life… even If you don’t want to. By Lee-Baggley, D. 

"Perhaps you’ve heard that it takes twenty-one days to build a habit. Unfortunately, there is no scientific evidence to back this up (Clear 2014). It actually takes more like two to three years to build a healthy habit." Lee-Bagley

 

The way of the woman writer. By Roseman, J.

Writing perfect prose effortlessly does not usually occur for most writers. Give yourself permission not to be perfect. Trust that your writing will evolve, and the more time that you spend in the habit of writing, the more comfortable you will be." Roseman

 

Of Habit. By Ravaisson, F.

"Félix Ravaisson's seminal philosophical essay, Of Habit, was first published in French in 1838. It traces the origins and development of habit and proposes the principle of habit as the foundation of human nature." Publisher

 

In the glass darkly. By Le Fanu, S. 

"Carmilla is an 1872 Gothic novella by Irish author Joseph Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula by 26 years." Wikipedia

 

 

References

Brody, A. S. (2015). Modern food, moral food: Self-control, science and the rise of modern American eating in the early twentieth

century [Book review]. Journal of Social History48(4), 958–959.

ONLINE

Clear, J. (2018). Atomic habits : Tiny changes, remarkable results : An easy & proven way to build good habits & break bad ones.

Avery Publishing.
Request Curbside Pickup

Lee-Baggley, D. (2019). Healthy habits suck : How to get off the couch and live a healthy life… even If you don’t want to. New

Harbinger Publications.

ONLINE

Le Fanu, J. S. (2009). In a Glass Darkly. The Floating Press."=

ONLINE

Ravaisson, F. (2008). Of Habit. Continuum.

ONLINE

Roseman, J. (2003). The way of the woman writer. Routledge. https://doi.org/10.4324/9781315785936

ONLINE

Veit, H. (2013). Modern food, moral food: Self-control, science, and the rise of modern American eating in the early twentieth

century. The University of North Carolina Press. https://doi.org/10.5149/9781469607719_veit

ONLINE

 

This post has no comments.
Field is required.
No Tags

Similar Posts

View All Posts

 

Rie Palkovic Issue 14 William C. Bonaudi Library's Down the Research Rabbit Hole

 

 

Explain the range and type of art you create and show. Do you have an artist's statement?

 

I am a painter. I paint in oils and mixed media drawings. I do paint on different surfaces such as canvas, paper, frosted Mylar, copper, and wood. I paint in realism mostly from nature. I do have an artist’s statement that I submit for competitions or grants that I apply for. Here’s an excerpt:

Palkovic's TsuruThe Japanese aesthetic ideals of suggestion, irregularity, simplicity, and perishability are the underlying principles that guide my painting and drawing.  These four basic principles guide my efforts to explore the link between art and nature that ebbs and flows much like nature itself wanes, dies, then rejuvenates to live anew.

The integration of Japanese aesthetics into my art making is an expression of dealing with the dualities of my identities. My father was an Irish-American from West Virginia and my mother was from Okinawa.  The tension of being neither Japanese nor American and yet being both is symbolized in my artwork by the ambiguities in space of the image.  The images are tentatively floating in space creating an anti-gravitational buoyancy for the viewer.  The compression of space evokes a sense of not knowing whether the image is receding or advancing.  This feeling is a good analogy of wavering I have felt and continue to feel.  It is an unsettling feeling of never feeling a part of your environment.  

Because of that unsettledness, I focus on the flora and fauna of the area where I currently live. I am also a huge fan of gardening, so plants take up a good deal of my imagination. I do tend toward the sharp, prickly sorts of plants that look ambiguous and can be mistaken for bugs or animal life. It reminds of a common question I have heard, “What is your ethnicity or where are you from?”

 

What research informs your work? Have you ever done a great deal of background work on a piece or a show?

I am a voracious reader and feel that it all informs my artwork. I love to read the memoirs or journals of artists and writers for a view into process. For the last several years I have been heavily researching the Northern Renaissance artists like Jan van Eyck, Hugo van der Goes, Rogier van der Weyden, and Hans Memling. The Northern Renaissance painters focused on a hyper realism that is so beautiful and wonderful and showed the wondrous textures of fabric and fur, metal and glass, and so on. I can get caught up in that level of realism in my own work but like the addition of abstract elements, too. 

 

As a working artist are there magazines, books, creators, or events that fuel your work and/or engagement in the art community?

 

Palkovic's SunflowerI have felt very isolated as an artist living here. We came from a close-knit artists’ community in New Mexico before we moved here. Everyone we knew was basically an artist of some kind. Getting feedback is an important part of making art for me and we had a wonderful group. We worked together and played together.  We are still close with many of those people and use social media for feedback and support. When we got to travel we met up every year or so to have some fun. One of my favorite memories involved some friends coming to visit. They are both painters and we set up four sheets of paper in the studio with materials, cranked the music loud, and played musical easels. We moved to each piece of paper and did our thing and moved on to the next after 15 minutes with no preset plans. The pieces are wild and colorful with energy. Such a great time! Later we sat around the fire pit and listened to our friend, Raul, read new poems he had written. All these kinds of events are not difficult but do involve action. It is too easy to get bogged down in theories without doing anything meaningful. But the meaningful does not have to be complicated. Art is not separate from life. It is such an integral part if we choose to acknowledge it. I read Homo Aestheticus Where Art Comes From and Why by Ellen Dissanayake some time ago. She posits the reflection that Art has been part of human life from the very beginning. Ancient humans painted on cave walls as well as found shelters and grouped in families. For some reason, Art was and is important and inherent in humans. 

 

Is there an artist(s) or person(s) that have served as an inspiration to you?

That depends on the day! I dearly love the work of German artist Anselm Kiefer. We saw a solo exhibition of his in San Francisco a few years ago. I walked around the museum crying it was so beautiful. He took salvaged material from bombed out Dresden from World War II and made giant books with wings and shelves that look like they are from God’s waiting room. He referenced the constellations and ancient myths. His work is so opposite from what I do and yet I love it and am so inspired by it!

I also love the work of Japanese American artist Ruth Asawa. She made hanging wire sculptures that were woven in organic forms. When hung with spotlights they cast wonderful shapes on the walls that change as you walk around them. 

These artists work in entirely different ways from the way I work but serve to inspire and fire my imagination in huge ways. It is so good to look at a variety of things. You don’t want to eat the same food all the time but need to change it up.

Rie's quote about her father.

 


What book, poem, or study have you read that engaged you so deeply you were changed?

 

I started going to college when my children were small (ages 4, 6, 10) and I was 28 years old. The more I learned the more I wanted to learn. And the more I learn the more I know that there is so much out there. I read everything I could. I found the poem by Mary Oliver called The Journey. She has been my guide for so many years with other poets. Poetry is an ancient art, too, and very much a deep part of human nature. Other than the new friends I made at school I had no support at home. I had to dig down deep to who I was to continue my education. My determination to finish my education grew stronger each time I took a class. I remembered my father’s advice to get as much education as possible. And I am still in school.

 

Follow Rie on Instagram:
https://www.instagram.com/riepalkovic/

 

POEM:  The Journey by Mary Oliver
 

Poem The Journey Mary Oliver


 

 

SELECTED SOLO AND GROUP EXHIBITION

August 2016 Between Shadow and Space, solo exhibit
Unsettled Gallery
Las Cruces, New Mexico

November 2015 Casting Indra’s Net, Six artists group show
Moses Lake Museum and Art Center(MAC)
Moses Lake, WA

May 2014, 2015, Featured Artist for Cellarbration!

BBCC Foundation fundraiser
2016

June 2013 Betwixt and Between, MAC
Solo exhibition
Moses Lake Museum 
Moses Lake, Washington

April 2011 Medicine Show invitational, SLAM
Soap Lake, Washington

January 2011 MAC juried show, Moses Lake Museum
1st Runner up People’s Choice
Moses Lake, Washington

December 2010 Winter Show, Soap Lake Art Guild
Best Painting Award
Soap Lake, Washington

December 2009 Holiday Show, Imbibe
Moses Lake, Washington

August 2009 solo exhibition
Soap Lake Art Museum
Soap Lake, Washington

July 2009 Yin/Yang
Garage Gallery
San Francisco, California

June 2009 Solo Exhibition, Imbibe Gallery
Moses Lake, Washington

April 2008 Shouts and Murmurs Solo Exhibition, Tilde 
Portland, Oregon

Oct 2007 Waterline, a group show about fish
Crossing Tracks Gallery
San Diego, California

Oct 2006 Solo Exhibition
Seven Muses Gallery
Tacoma, Washington

April 2006 New Work, solo exhibition
Soap Lake Art Museum
Soap Lake, Washington

April 2006- River of Memory: The Everlasting Columbia

Sep 2008 Curators: William Layman and Terri White
Traveling exhibition to Wenatchee, Tacoma, Spokane, WA; Nelson, Victoria, BC; Pendleton, OR

Jan 2006 MAC Annual juried exhibition, 3rd Place Award 
Juror: Scott Bailey, Art Dept. Chair at Wenatchee Valley College
Moses Lake Museum & Art Center
Moses Lake, Washington

Jan 2006 Ink and Clay 32, Kellogg University Art Gallery
Jurors: Marilyn Zeitlan and Peter Held
California State Polytechnic University, Pomona, California

Feb 2005 Gallery 76, 21st National Juried Exhibition; 2nd Place Award
Jurors: Carol Hassen of Larsen Gallery and Robert Fisher of Yakima Valley Community College
Wenatchee Valley College, Wenatchee, Washington

Jan 2005 Moses Lake Museum & Art Center Juried Exhibition
Moses Lake, Washington

Sep 2004 Seven Muses Gallery, Dual Exhibition with Francis Palkovic
Tacoma, Washington

Apr 2004 Gallery 76 National Invitational, Gallery 76
Wenatchee Valley College, Wenatchee, Washington

Feb 2004 Art, Technology, & Culture, Gallery 76, Dual exhibition with Paul Stout, sculptor
Wenatchee Valley College, Wenatchee, Washington

Jan 2004 Columbia Basin Invitational,  Moses Lake Museum & Art Center Moses Lake, Washington. Award: Honorable Mention

Jan 2004 Greater Midwest International Exhibition XIX, Central Missouri State University Art Gallery, Warrensburg, Missouri, Juror: Douglass Freed, Director, Daum Museum of Contemporary Art

Jan 2004 Ink & Clay 30, Kellogg Art Gallery, California Polytechnic University

Pomona, California, Juror: Hollis Goodall, Curator of Japanese Art, Los Angeles County Museum of Art

March 2003 Okinawan American Princess Diaries, Moses Lake Museum & Art Center, Moses Lake, Washington

Apr 2002 18th National Juried Exhibit, Gallery ‘76, Juror’s Award
Wenatchee, Washington

Jun-Jul 2001 Forms 4, Chase Gallery
City Hall, Spokane, Washington

Mar-Apr 2001 17th National Juried Exhibit, Gallery ‘76
Best of Show Award, People’s Choice Award
Wenatchee, Washington

May-Jun 2000 Conversations from the Garden, Moses Lake Museum & Art Center
Solo Exhibition
Moses Lake, Washington

Jan-Feb 2000 Two Central Washington Ladies, High Spirits Gallery
Wenatchee, Washington

Jan-Feb 2000 Baked, Mashed, & Fried, Moses Lake Museum & Art Center
3rd Place Award, Potato Commission Purchase Award
Moses Lake, Washington

June 1999 Columbia Basin Invitational, Adam East Museum & Art Center
Moses Lake, Washington

Mar-Apr 1999 Group Exhibition, High Spirits Gallery
Wenatchee, Washington

Dec 1998 Solo Exhibition
Wallenstien Theatre, Columbia Basin Allied Arts
Big Bend Community College, Moses Lake, Washington

 

Nov 1998 43rd Annual Central Washington Artists Exhibition
Larson Gallery 

Yakima Valley Community College, Yakima, Washington

Mar 1998 The Many Lives of Women, Kent Hall Museum
New Mexico State University, Las Cruces, NM

Feb 1998 Hanging Around, Faculty Exhibition
El Paso Community College

The People’s Gallery, El Paso City Hall, TX
Sep 1997- Arte Sin Limites: Exposicion Fronteriza

July 1998 (Invitational; one of twelve artists representing Las Cruces)
Traveling Exhibition to Four Cities:
Museo de Arte, Juarez, Mexico, Centro de Arte Contemporaneo de Chihuahua ,Chihuahua City, Mexico, the Las Cruces Museum of Art and Culture, Las Cruces, New Mexico, and the Chamizal Gallery, El Paso, Texas

Sep 1997 Contemporary Asian Artists in America
Smithtown Township Arts Council
Mill’s Pond House Gallery, St. James, NY

Mar 1997 At Random, Faculty Exhibition
El Paso Community College
The People’s Gallery, El Paso City Hall, TX

Dec 1996 December Group Show Invitational
Galeri Azul, Mesilla, NM

July 1996 Border Artists and Friends Invitational
Adobe Patio Gallery, Mesilla, NM

Nov 1995 Master of Fine Arts Thesis Exhibition
Kent Hall Museum, New Mexico State University, NM

June 1995 Image and Icon Exhibition (Invitational)
University Art Gallery, New Mexico State University, NM

April 1995 Solo Exhibition, 
Galeri Azul, Mesilla, NM

Feb 1995 Annual Juried Student Exhibition
Juror’s Choice Award
College of Arts and Sciences Award
University Art Gallery, New Mexico State University, NM

Oct 1994 2 x 4 Faculty/Alumni Invitational
Todd Madigan Gallery, Cal State University, Bakersfield, CA

June 1994 Close to the Border, Bi-annual juried exhibition
University Art Gallery Award
University Art Gallery, New Mexico State University, NM

 

Issue 10 Banner for Down the Research Rabbit Hole Kathleen Duvall: Seeds

 

What is one of the most beautiful things you have ever discovered at the end of a lengthy research process?

In science, observing is an integral part of the research process.  When we look closely at anything, we often notice qualities or characteristics that we had overlooked or just never paid attention to.  A few years ago when I taught Field Botany each spring, I would take students out to different sites throughout the Columbia Basin to collect native plants.  On these Friday field trips, we tried to be good stewards of the native habitats that we visited.  Students would collect plants that were plentiful in each habitat as they were instructed. On Monday the students would bring a sample of each plant they collected to the lab.   

This is when the real observations began.  Sometimes the flowers of the plants contained very tiny parts so we would use dissecting scopes to magnify the flowers to see and count all of the little details.  Sometimes the leaves were a funny shape or the stems of the plant had fine hairs that pointed in a certain way. In the process of looking at each collected plant, we would determine its name and its plant family.  Students would study those plant and family names so that when they saw the plants on another field trip, they would know them.  On field trip after field trip, the students continued to collect new and different plants. By the end of the seven field trips, each student had usually collected over 80 different native plants.  

 

Every spring, students would tell me that they no longer looked at the lands around the Columbia Basin in the same way. Now as they looked over the sagebrush landscape, they saw all of the beautiful blooming shrubs and wildflowers that they had previously overlooked.  It is not that the sagebrush lands had changed, but the change was fashioned in the eye and the mind of the observer. So, at the end of a lengthy research process, one of the most beautiful things that we can discover is something new about ourselves – what we have learned, how we have grown, what we would do differently the next time. 

 

What journals, conferences, periodicals, podcasts, or other sources do you read/follow to keep up with your work?

For 23 years I taught science at Big Bend Community College (BBCC).  During those years I would read science magazines like The Scientist and Scientific American. I would watch nature and science-themed shows on TV like NOVA and listen to PBS Science Fridays on the Radio.  I would attend NWBIO, a conference of my peers – Northwest biology teachers, and we would share ideas. I would use one of the Library’s search engines, ProQuest, to find journal articles on science topics of interest. 

 

Making the job change from faculty to dean after so many years was a big leap for me.  Now I read different books – books about leadership skills that I need to develop.  Currently, I am reading Brene Brown’s books – Daring Greatly, Dare to Lead, and The Gifts of Imperfection.  I have a stack of related books that gets taller and taller, my future reading.  I have a goal to start listening to podcasts and have a list of those I want to follow, but I am not quite there yet. 

 

Another resource I use to keep up with my work is talking to my colleagues and peers.  When I was a faculty member, I would talk with other faculty members about their teaching.  This started for me when I was a new part-time faculty member, and a group of faculty were meeting on selected Fridays to discuss active-learning strategies.  Jim Hamm invited me to participate in that group.  Over the years I shared office space with Brinn Harberts, one of our past Math faculty, and shared lunch times with Rie Palkovic.  In the process of sharing our teaching practices, I gleaned great ideas that enhanced my teaching, and I gained dear friends that I still keep in touch with.  Now as a dean, I have another set of peers and colleagues that are great resources for me; the other deans at BBCC as well as transfer program deans at other community colleges across the state can provide insights to me and answer questions that may come up. 

 

What practice in Botany informs your way of looking at information?

When I was doing research for my Master’s thesis, I performed experiment after experiment, and then I would go back again and repeat the same experiment.  In order for experimental data to be valid, it needs to be reproducible.  This establishes accuracy in the data and allows scientists to possibly draw conclusions from the data.  When I read something, I want to know about the source of that information.  I love it when someone writing an article cites their sources clearly so that I have the option of reading those sources.  

 

I have a second answer to this question.  When we think of the human body, we all have a general idea of how human bodies work.  We use our lungs to breathe in fresh air for oxygen and breathe out air laden with carbon dioxide.  Our heart pumps blood throughout our bodies to carry that oxygen to our cells and to pick up and carry away the carbon dioxide that eventually gets expelled with each exhale.  Plants move air in and out of their plant bodies, but they don’t have lungs. Plants move water and dissolved sugars throughout the plant, but they don’t have a heart to pump it around.  Plants can do many of the same things that our human bodies can do for us, but they do it in a completely different way.  When I am researching a solution to a problem, I may have found one solution, but there may be more than one valid approach, just like plants and humans. I often need to keep an open mind to other possible and perhaps better solutions.

  

Tell us about one of your most important presentations. How did you research for it? 

When I did the research for a literature review for my master’s thesis, this was a long time ago – before the days of the personal computer and the smart phone.  I had to pay my college library $50 and give them five or six keywords to feed into their big room-size computer so the computer would search the periodical indexes for me.  Hopefully, the computer would provide me with enough relevant articles to look up and use for my literature review.

 

Now we just get on ProQuest and enter our own words; then we sift through the list of article sources that ProQuest or another search engine generates.  The ease with which we can search the Internet and the vast amount of information at our fingertips can be a different type of challenge.  What do you do when you have too much information? You will need to figure out a way to narrow your search or to efficiently sift through the excess information.

 

That was the situation I found myself in back in the spring of 2017 when I was preparing for a presentation as a candidate for the dean’s position I now hold.  When a dean is hired, candidates are brought to campus for an interview and a forum.  During the forum, the candidate sits at a table upfront in a big room and anyone from the college can ask the candidate any question they wish.  There are two forums scheduled on a particular day and each forum lasts about an hour, so that adds up to two hours of questions.  How does a person prepare for that experience?  I went back to all of the resources I had – my job application, my cover letter, my resume, and the original job posting.  I studied those resources and then started making notes about my experiences at the college over the previous 23 years. I made lists about what experiences I thought that I would want to share if I were asked. I could have rationalized that there was no way to prepare and resigned myself to just wing it.  This forum, though, was too important so I prepared the best that I could.  The research process was really no different than research for a term paper, but this time I was digging into the memories of my work at BBCC to prepare to answer those questions.   

Kathleen Duvall saying about seeds. 

Many of the Library's subscription databases now have a security screen that comes up to prevent users from going any further.  Once the user overrides the warning, that link is added as OK.  

However, for many users, the warning is frightening. We have a warning on our Databases A-Z page, but many users do not see it.

We thought this was a user side browser error, but have found we need to invest in a new level of authenticating service.

Meantime, please communicate to students it is safe to override, bypass, to go to these sites.

 

 

Google Chrome Warning

Select Advanced and proceed to the site. 

 

Warning from the databases

 

 

Firefox Warning

Accept Risk and Continue.

Firefox warning

 

 

Another Example

Go the SHOW DETAILS and select the link to the database. 

 

Image of security warning