Database of the Month: Business Source Elite
The zoom link is: https://bigbend.zoom.us/my/rhondak
Also on Facebook Live: https://www.facebook.com/bbcclibrary/
Researching The Research
Source evaluation in research is not a passive activity. It also requires research and critical thinking. This three lens of information evaluation require that you look at research critically - with research.
SUGGESTED RESEARCH FOR ACADEMIC ARTICLES
Google Search - Search for information on authors, researchers and/or organization. Search titles of journals, newspapers, and magazines. Read their about statements and mission. Do you find a scandal, retractions, or fact checks related to the authors, publishers, or title of source?
Look at this Google basic search:
"Prenatal Cocaine Exposure Upregulates BDNF-TrkB Signaling" AND retraction.
Google Scholar - Use a title search to find how many times a scholarly article has been cited. Look at the works that cited your source. Do you see a pattern or anything interesting?
For the retracted article in Google Scholar despite the easy to find retraction it has been cited 20x since 2016.
If we look at all 12 versions of it, we see it lives on Academia.edu. Gale, CUNY's Academic Works, Harvard, and EBSCO. Two of those are library databases. Two of those are well known university's academic repositories.
Google Scholar Metrics . - Use to search the ratings of a scholarly journal. A scholarly article in a journal with higher metrics is considered to have more authority.
PLOS ONE statistics and details on Google Metrics.
Retraction Watch. - If research or a scholarly article has been found to be wrong, that information is not found in the article you may have found. Check the title, author(s), and title of scholarly article in this database to see if the paper was retracted. Search their database here.
How to use the Retraction Watch database to search titles and also authors:
Paperity - Useful for finding news, reviews, letters to the editor, and other information about author(s), journals, organizations, and articles.
Semantic Scholar.- This is an AI powered research tool for scientific literature. It has a more detailed citation analysis than Google Scholar. It shows hidden connections between research.
NON-ACADEMIC SOURCES
Does the article cite information from other sources? If so, look them up using Google.
Search for article, author, and title if available.
Check the context of the information when you find it.
Does that author cite other information? Review links or search for that information.
Find where the original information exists. Sometimes information and facts may shift when handled by multiple entities.
Read laterally, that is, search for other sources of the same information. Look for higher quality platforms and outlets.
This fast practical Buzzfeed fact checker video shows some of these methods.
Media Bias Check Sources. - This is an article describing different ways to find bias in newspapers, magazine articles, and other platforms.
Search Politifact, home of the Truth-O-Meter.
Look at Snopes. In their 20 years, they have become a well regarded go to source for all types of internet truths and untruths. They also show their work.
Factcheck.org works on statements make in the political sphere. One of their main ways of tracking down information besides transcripts and videos is to contact people. They rely on primary sources.
RAND has a detailed list of fact verifications including video tools.
Explain the range and type of art you create and show. Do you have an artist's statement?
I am a painter. I paint in oils and mixed media drawings. I do paint on different surfaces such as canvas, paper, frosted Mylar, copper, and wood. I paint in realism mostly from nature. I do have an artist’s statement that I submit for competitions or grants that I apply for. Here’s an excerpt:
The Japanese aesthetic ideals of suggestion, irregularity, simplicity, and perishability are the underlying principles that guide my painting and drawing. These four basic principles guide my efforts to explore the link between art and nature that ebbs and flows much like nature itself wanes, dies, then rejuvenates to live anew.
The integration of Japanese aesthetics into my art making is an expression of dealing with the dualities of my identities. My father was an Irish-American from West Virginia and my mother was from Okinawa. The tension of being neither Japanese nor American and yet being both is symbolized in my artwork by the ambiguities in space of the image. The images are tentatively floating in space creating an anti-gravitational buoyancy for the viewer. The compression of space evokes a sense of not knowing whether the image is receding or advancing. This feeling is a good analogy of wavering I have felt and continue to feel. It is an unsettling feeling of never feeling a part of your environment.
Because of that unsettledness, I focus on the flora and fauna of the area where I currently live. I am also a huge fan of gardening, so plants take up a good deal of my imagination. I do tend toward the sharp, prickly sorts of plants that look ambiguous and can be mistaken for bugs or animal life. It reminds of a common question I have heard, “What is your ethnicity or where are you from?”
What research informs your work? Have you ever done a great deal of background work on a piece or a show?
I am a voracious reader and feel that it all informs my artwork. I love to read the memoirs or journals of artists and writers for a view into process. For the last several years I have been heavily researching the Northern Renaissance artists like Jan van Eyck, Hugo van der Goes, Rogier van der Weyden, and Hans Memling. The Northern Renaissance painters focused on a hyper realism that is so beautiful and wonderful and showed the wondrous textures of fabric and fur, metal and glass, and so on. I can get caught up in that level of realism in my own work but like the addition of abstract elements, too.
As a working artist are there magazines, books, creators, or events that fuel your work and/or engagement in the art community?
I have felt very isolated as an artist living here. We came from a close-knit artists’ community in New Mexico before we moved here. Everyone we knew was basically an artist of some kind. Getting feedback is an important part of making art for me and we had a wonderful group. We worked together and played together. We are still close with many of those people and use social media for feedback and support. When we got to travel we met up every year or so to have some fun. One of my favorite memories involved some friends coming to visit. They are both painters and we set up four sheets of paper in the studio with materials, cranked the music loud, and played musical easels. We moved to each piece of paper and did our thing and moved on to the next after 15 minutes with no preset plans. The pieces are wild and colorful with energy. Such a great time! Later we sat around the fire pit and listened to our friend, Raul, read new poems he had written. All these kinds of events are not difficult but do involve action. It is too easy to get bogged down in theories without doing anything meaningful. But the meaningful does not have to be complicated. Art is not separate from life. It is such an integral part if we choose to acknowledge it. I read Homo Aestheticus Where Art Comes From and Why by Ellen Dissanayake some time ago. She posits the reflection that Art has been part of human life from the very beginning. Ancient humans painted on cave walls as well as found shelters and grouped in families. For some reason, Art was and is important and inherent in humans.
Is there an artist(s) or person(s) that have served as an inspiration to you?
That depends on the day! I dearly love the work of German artist Anselm Kiefer. We saw a solo exhibition of his in San Francisco a few years ago. I walked around the museum crying it was so beautiful. He took salvaged material from bombed out Dresden from World War II and made giant books with wings and shelves that look like they are from God’s waiting room. He referenced the constellations and ancient myths. His work is so opposite from what I do and yet I love it and am so inspired by it!
I also love the work of Japanese American artist Ruth Asawa. She made hanging wire sculptures that were woven in organic forms. When hung with spotlights they cast wonderful shapes on the walls that change as you walk around them.
These artists work in entirely different ways from the way I work but serve to inspire and fire my imagination in huge ways. It is so good to look at a variety of things. You don’t want to eat the same food all the time but need to change it up.
What book, poem, or study have you read that engaged you so deeply you were changed?
I started going to college when my children were small (ages 4, 6, 10) and I was 28 years old. The more I learned the more I wanted to learn. And the more I learn the more I know that there is so much out there. I read everything I could. I found the poem by Mary Oliver called The Journey. She has been my guide for so many years with other poets. Poetry is an ancient art, too, and very much a deep part of human nature. Other than the new friends I made at school I had no support at home. I had to dig down deep to who I was to continue my education. My determination to finish my education grew stronger each time I took a class. I remembered my father’s advice to get as much education as possible. And I am still in school.
Follow Rie on Instagram:
https://www.instagram.com/riepalkovic/
POEM: The Journey by Mary Oliver
SELECTED SOLO AND GROUP EXHIBITION
August 2016 Between Shadow and Space, solo exhibit
Unsettled Gallery
Las Cruces, New Mexico
November 2015 Casting Indra’s Net, Six artists group show
Moses Lake Museum and Art Center(MAC)
Moses Lake, WA
May 2014, 2015, Featured Artist for Cellarbration!
BBCC Foundation fundraiser
2016
June 2013 Betwixt and Between, MAC
Solo exhibition
Moses Lake Museum
Moses Lake, Washington
April 2011 Medicine Show invitational, SLAM
Soap Lake, Washington
January 2011 MAC juried show, Moses Lake Museum
1st Runner up People’s Choice
Moses Lake, Washington
December 2010 Winter Show, Soap Lake Art Guild
Best Painting Award
Soap Lake, Washington
December 2009 Holiday Show, Imbibe
Moses Lake, Washington
August 2009 solo exhibition
Soap Lake Art Museum
Soap Lake, Washington
July 2009 Yin/Yang
Garage Gallery
San Francisco, California
June 2009 Solo Exhibition, Imbibe Gallery
Moses Lake, Washington
April 2008 Shouts and Murmurs Solo Exhibition, Tilde
Portland, Oregon
Oct 2007 Waterline, a group show about fish
Crossing Tracks Gallery
San Diego, California
Oct 2006 Solo Exhibition
Seven Muses Gallery
Tacoma, Washington
April 2006 New Work, solo exhibition
Soap Lake Art Museum
Soap Lake, Washington
April 2006- River of Memory: The Everlasting Columbia
Sep 2008 Curators: William Layman and Terri White
Traveling exhibition to Wenatchee, Tacoma, Spokane, WA; Nelson, Victoria, BC; Pendleton, OR
Jan 2006 MAC Annual juried exhibition, 3rd Place Award
Juror: Scott Bailey, Art Dept. Chair at Wenatchee Valley College
Moses Lake Museum & Art Center
Moses Lake, Washington
Jan 2006 Ink and Clay 32, Kellogg University Art Gallery
Jurors: Marilyn Zeitlan and Peter Held
California State Polytechnic University, Pomona, California
Feb 2005 Gallery 76, 21st National Juried Exhibition; 2nd Place Award
Jurors: Carol Hassen of Larsen Gallery and Robert Fisher of Yakima Valley Community College
Wenatchee Valley College, Wenatchee, Washington
Jan 2005 Moses Lake Museum & Art Center Juried Exhibition
Moses Lake, Washington
Sep 2004 Seven Muses Gallery, Dual Exhibition with Francis Palkovic
Tacoma, Washington
Apr 2004 Gallery 76 National Invitational, Gallery 76
Wenatchee Valley College, Wenatchee, Washington
Feb 2004 Art, Technology, & Culture, Gallery 76, Dual exhibition with Paul Stout, sculptor
Wenatchee Valley College, Wenatchee, Washington
Jan 2004 Columbia Basin Invitational, Moses Lake Museum & Art Center Moses Lake, Washington. Award: Honorable Mention
Jan 2004 Greater Midwest International Exhibition XIX, Central Missouri State University Art Gallery, Warrensburg, Missouri, Juror: Douglass Freed, Director, Daum Museum of Contemporary Art
Jan 2004 Ink & Clay 30, Kellogg Art Gallery, California Polytechnic University
Pomona, California, Juror: Hollis Goodall, Curator of Japanese Art, Los Angeles County Museum of Art
March 2003 Okinawan American Princess Diaries, Moses Lake Museum & Art Center, Moses Lake, Washington
Apr 2002 18th National Juried Exhibit, Gallery ‘76, Juror’s Award
Wenatchee, Washington
Jun-Jul 2001 Forms 4, Chase Gallery
City Hall, Spokane, Washington
Mar-Apr 2001 17th National Juried Exhibit, Gallery ‘76
Best of Show Award, People’s Choice Award
Wenatchee, Washington
May-Jun 2000 Conversations from the Garden, Moses Lake Museum & Art Center
Solo Exhibition
Moses Lake, Washington
Jan-Feb 2000 Two Central Washington Ladies, High Spirits Gallery
Wenatchee, Washington
Jan-Feb 2000 Baked, Mashed, & Fried, Moses Lake Museum & Art Center
3rd Place Award, Potato Commission Purchase Award
Moses Lake, Washington
June 1999 Columbia Basin Invitational, Adam East Museum & Art Center
Moses Lake, Washington
Mar-Apr 1999 Group Exhibition, High Spirits Gallery
Wenatchee, Washington
Dec 1998 Solo Exhibition
Wallenstien Theatre, Columbia Basin Allied Arts
Big Bend Community College, Moses Lake, Washington
Nov 1998 43rd Annual Central Washington Artists Exhibition
Larson Gallery
Yakima Valley Community College, Yakima, Washington
Mar 1998 The Many Lives of Women, Kent Hall Museum
New Mexico State University, Las Cruces, NM
Feb 1998 Hanging Around, Faculty Exhibition
El Paso Community College
The People’s Gallery, El Paso City Hall, TX
Sep 1997- Arte Sin Limites: Exposicion Fronteriza
July 1998 (Invitational; one of twelve artists representing Las Cruces)
Traveling Exhibition to Four Cities:
Museo de Arte, Juarez, Mexico, Centro de Arte Contemporaneo de Chihuahua ,Chihuahua City, Mexico, the Las Cruces Museum of Art and Culture, Las Cruces, New Mexico, and the Chamizal Gallery, El Paso, Texas
Sep 1997 Contemporary Asian Artists in America
Smithtown Township Arts Council
Mill’s Pond House Gallery, St. James, NY
Mar 1997 At Random, Faculty Exhibition
El Paso Community College
The People’s Gallery, El Paso City Hall, TX
Dec 1996 December Group Show Invitational
Galeri Azul, Mesilla, NM
July 1996 Border Artists and Friends Invitational
Adobe Patio Gallery, Mesilla, NM
Nov 1995 Master of Fine Arts Thesis Exhibition
Kent Hall Museum, New Mexico State University, NM
June 1995 Image and Icon Exhibition (Invitational)
University Art Gallery, New Mexico State University, NM
April 1995 Solo Exhibition,
Galeri Azul, Mesilla, NM
Feb 1995 Annual Juried Student Exhibition
Juror’s Choice Award
College of Arts and Sciences Award
University Art Gallery, New Mexico State University, NM
Oct 1994 2 x 4 Faculty/Alumni Invitational
Todd Madigan Gallery, Cal State University, Bakersfield, CA
June 1994 Close to the Border, Bi-annual juried exhibition
University Art Gallery Award
University Art Gallery, New Mexico State University, NM
EBSCO is providing free access to Faculty Select until June 30, 2020.
We chose this as Database as the Month for April as we all have experienced some upheavals that have often left us with more questions than answers. This database indexes and provides OER links to eBooks, and more to support staff, students, and faculty. While these resources can support learning, they may also support online learning components by providing readings on specified topics.
We have listed Faculty Select on the library's website under Databases A-Z under our trial database section.
To find full OER text that is immediately available, select for OER in the limiters on the left. OER books have a link in the record to take you to full-text work.
What is Faculty Select?
"To support distance learning at institutions impacted by COVID-19 closures, we have created a simplified version of EBSCO Faculty Select to help faculty easily find Open Educational Resources and DRM-free e-books to support remote classroom needs."
Faculty Select is a single interface where faculty can easily discover and access Open Educational Resources (OER), as well as find and request access to unrestricted, DRM-free e-books from top academic publishers.
With this option, EBSCO is offering a simplified version of Faculty Select that includes access to OER material as well as the option to discover more than 225,000 DRM-free EBSCO eBooks™ in one place, available at no charge for faculty to use through June 30, 2020" -- from Publisher.
Examples of Resources:
OER eBooks:
Crosslin, M. (2018). Creating Online Learning Experiences. Mavs Open Press.
Heikka, J., Hujala, E., Rodd, J., Strehmel, P., & Waniganayake, M. (2019). Leadership in Early Education in Times of Change. Verlag Barbara Budrich. https://doi.org/10.3224/84742199
Olmsted, J. (2019). Tools for Podcasting. American University.
Commenting on blog posts requires an account.
Login is required to interact with this comment. Please and try again.
If you do not have an account, Register Now.