What is the Passion Project Showcase?
Beginning Winter 2021, Big Bend will have a quarterly event to feature the works of wonder that inspire a member of our school community. The library will have a page dedicated to the showcase and will post the recordings for later viewing.
Why have a Passion Project Showcase?
At Big Bend, we are fortunate enough to be surrounded by talented and awesome people. Our school is full of faculty, administrators, staff, and students who are experts in a wide variety of areas. Their work is driven by excitement and curiosity, and we want to celebrate these love labors."
ZOOM Information To Be Announced.
Here are a few images that help describe my family values growing up as a straight white male in Wichita, Kansas. Salt and pepper were the only spices used in my family. Hamburgers were fine dining. I drove a 1967 Camaro in high school and many of my friends also drove classic muscle cars. I also worked many hours running a lathe at my father's machine shop that did sub-contracting for Boeing.
I originally went to Wichita State University to study engineering but I was a terrible student because wasn't motivated. I eventually found a community at the Philosophy Department and spent a lot of time in the lounge of Fiske Hall drinking coffee and discussing ideas with other philosophy students. Here's Socrates after drinking hemlock. The other students introduced me to spices such as discovering Sriracha sauce at local Vietnamese restaurants that my family would never have gone to.
I met my sweetheart, Jennifer McCarthy, at a St. Patrick's Day party during our first year of graduate school at Washington University in St. Louis, Missouri. I focused my education on being a generalist in my field so that I could teach as many different courses as possible. Since 2000, I've been the full-time faculty member of both the Philosophy and the Religious Studies Departments at Big Bend Community College in Moses Lake, Washington. Through hard work l've achieved a Ph.D. and a senior tenured position. I am known on campus as someone who will speak up when I see a problem. Jen and I married in 2000 just before moving here and starting our own family. Here's an image from Monday of us taking our two teenage kids to the airport to fly to Las Vegas to see their grandparents and aunties while we do the ESCALA training this week. And lastly is an image they sent just yesterday while we were in Day 1.
I’ve long been interested in presenting philosophical ideas to a broader audience and so this is a list of my publications that were meant for the public. I challenge myself to write about a different topic each time. Most of these are published by John Wiley & Sons or the Blackwell Philosophy and Pop Culture Series edited by William Irwin.
“A Phenomenology of Christmas,” a five-part series, Columbia Basin Herald, December 2004. Each essay was an examination of Christmas through one of the five senses.
“Bella’s Vampire Semiotics” in Twilight and Philosophy: Vampires, Vegetarians, and the Pursuit of Immortality, John Wiley &
Sons, Inc., 2009. I use Bella’s discovery that Edward is a vampire to introduce the triadic semiotics of Charles Sanders
“’You’re Nothing But a Pack of Cards!’: Alice Doesn’t Have a Social Contract” in Alice in Wonderland and Philosophy:
Curiouser and Curiouser, John Wiley & Sons, Inc., 2010. I justify Alice’s rejection of the guilty verdict of the sham trial
using the social contract theories of Thomas Hobbes and John Locke.
“Why We Enjoy Reading about Men Who Hate Women: Aristotle’s Cathartic Appeal,” in The Girl with the Dragon Tattoo and
Philosophy: Everything is Fire, John Wiley & Sons, Inc., 2012. I use Martha Nussbaum’s interpretation of Aristotle’s
theory of catharsis to understand why we enjoying reading violent stories about abused people rather than stories of
nice people doing nice things.
“Bilbo Baggins: the Cosmopolitan Hobbit,” in The Hobbit and Philosophy: For When You’ve Lost Your Dwarves, Your Wizard,
and Your Way, John Wiley & Sons, Inc., 2012. I use Biblo’s appreciation of other cultures outside the Shire to introduce
Kwame Anthony Appiah’s theory of cosmopolitanism.
“Gods, Drugs and Ghosts: Finding Dionysius and Apollo in Black Sabbath and the Birth of Heavy Metal,” in Black Sabbath and
Philosophy: Mastering Reality, John Wiley & Sons, Inc., 2013. Series editor William Irwin requested that I write about
drugs and Black Sabbath and so I used it to introduce Nietzsche’s analysis of Apollo and Dionysius in the birth of
ancient theater. This is my most experimental published writing.
“Superman Family Resemblance,” in Superman and Philosophy: What Would the Man of Steel Do?, John Wiley & Sons, Inc.,
2013. I use the different variations of Superman to introduce Wittgenstein’s concept of a family resemblance.
“’We have an indigenous population of humanoids called the Na’vi’: Native American philosophy in Avatar,” in Avatar and
Philosophy: Learning to See, John Wiley & Sons, Inc., 2014. I use the Na’vi to introduce contemporary Native
Americans philosophers and Scott Pratt’s Native Pragmatism.
“Simplicity is the Ultimate Sophistication,” in Steve Jobs and Philosophy: For Those Who Think Different, Carus Publishing
Company, 2015. I use Steve Jobs’ theory of design aesthetics to introduce Slavoj Žižek’s interpretation of the Hegelian
“The Mind of Blue Snaggletooth: The Intentional Stance, Vintage Star Wars Action Figures, and the Origins of Religion,” in The
Ultimate Star Wars and Philosophy: You Must Unlearn What You Have Learned, John Wiley & Sons, Inc., 2016. I use
playing with action figures as an introduction to Daniel Dennett’s philosophy of mind and his speculations about the
origins of religion.
“Merciful Minerva in a Modern Metropolis,” in Wonder Woman and Philosophy: The Amazonian Mystique, John Wiley & Sons,
Inc., 2017. I use the Greek mythology found in Wonder Woman to introduce Hegel’s philosophy of history. This
became the basis for a public lecture at the Salon Series at the Moses Lake Museum and Art Center.
“Remembering, Reminding, and Forgetting with Leonard Shelby, in The Philosophy of Christopher Nolan, Lexington Books,
2017. I use Leonard Shelby’s tattoos in Nolan’s Memento as an introduction to the triadic semiotics of Charles Sanders
Peirce as a means of finding knowledge but then undercut that search with Plato’s critique of writing found in